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3 Partitas et variations canoniques
Louis Spohr’s only Mass is among the most important works of post-classical church music
This work soon found widespread acceptance beyond the originally intended sphere of its origins
critical edition of the works of Max Reger (RWA) is being produced at the Max-Reger-Institute
Donnerwort” was published in 1715
Fürchte dich nicht, ich bin bei dir, BWV 228 (only German) 55.053/07 3 Partitas et variations canoniquesThe motet Frchte dich nicht, ich bin bei dir has long posed various puzzles for Bach scholars. Nothing is known about the occasion or date of its composition, and the musical text itself only survives in contradictory and partially incorrect sources. This motet possibly came from Bachs Weimar period. The double choir first section of the motet beginning with the basses of both choirs declaiming the first line of text like a motto in unison is followed
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