Massachusetts Review, Vol. XIX, No. 4, December 1978. Theme issue, Photography. Untitled (Friends of Photography) the book serves as a

the book serves as a coda to the American myth of westward expansion

and won the Pulitzer Prize at age 25

the book serves as a vital time capsule of a bustling musical era

is a major photojournalistic study of post–World War II West Germany by American documentary photographer and Magnum member Leonard Freed

Ford's personal photographer in 1974

Massachusetts Review, Vol. XIX, No. 4, December 1978. Theme issue, Photography. Untitled (Friends of Photography) the book serves as aAlso issued in hardcover as Photography: Current Perspectives. Special issue of this journal edited by Jerome Liebling. 262 pages. [Contents include Wright Morris, "In Our Image"; Walker Evans, "Photography"; Bill Jay, "The Romantic Machine: Toward a Definition of Humanism in Photography"; Anne Halley, "August Sander"; August Sander, "Photography as Universal Language; Estelle Jussim, "Icons or Ideology: Stieglitz and Hine"; Maren Stange, "Szarkowski