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Poussin stages the figures overlapping in a meticulously orchestrated arrangement
the attribution to Rubens is accepted by Jaffé and Held
The subject is from Matthew II
Probably painted in the late 1640s
This refers to a vision in which Christ offered her the choice between a crown of gold and a crown of thoms and she chose the latter
Wooded landscape with a Water-mill Anthony Poussin stages the figures overlappingThe group of buildings recurs with differences of detail in another painting by Hobbema of unknown whereabouts (Broulhiet, no. 219), suggesting that the site is a real one. Brown proposes a date in the early 1660s.
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