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Four visions like flashes
How is visibility achieved beyond the consensual categories of the mass media and the commodification of art
the artist has recovered images in black and white
the high-resolution details seem to anticipate and document the incipient decay of the bodies portrayed
a country distressed by a too extended land
AMC2 Issue 11: A Guide for the Protection of the Public in Peacetime Posters and Objects Four visions like flashesPublished to coincide with Archive of Modern Conflicts contribution to the exhibition Conflict, Time, Photography at Tate Modern, London, AMC2 Issue 11: A Guide for the Protection of the Public in Peacetime presents the landscapes of war as viewed by those co opted, blighted, disrupted, demented, excited, uplifted, corrupted, dumbfounded and unbalanced by its process. It explores the psyche of conflict from the primal tribalism of paint and feathers
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