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an essay by Gladys Chung
Museo degli Innocenti
” The resulting image engages with the power of myth and prefigures the epic composition of Guernica (1937)
the monumental canvases presented in The Moment and the Distance offer new perspectives on Frankenthaler’s continual reinvention of her painting practice across four decades
Signed by the artist and numbered
Ashley Bickerton San Francisco Museum of Modern Art an essay by Gladys ChungThis richly illustrated and uniquely designed monograph documents Ashley Bickertons life and practice in dazzling and unprecedented detail and visual style. From his knowingly impersonal self portraits, still lives and consumerist constructions of the mid 1980s to the ornate, handcrafted paintings and sculptures that he has been producing since relocating to the Indonesian island of Bali in the early 1990s, this exhaustive volume reveals Bickerton as
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