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Oskar Bätschmann
his early tendency to confine the photographs to “aesthetic quarantine” before later integrating them more thoroughly and transparently into his practice as a painter
She revisits the ancient necklace form of the torque
Roberta Smith writes in the New York Times
The historic photograph of the crowd at the public funeral of Reverend Dr
Sterling Ruby: THE MOUNTAIN Urs Fischer Oskar BätschmannThis poster featuring Crying Slab (2025) was produced in 2025, in conjunction with Sterling Ruby: THE MOUNTAIN at Gagosian, Gstaad. The exhibitionthe details of which are inscribed on the poster by the artistincluded new sculptures and paintings conceived by Ruby in dialogue with the Romantic tradition of the sublime. Rooted in the artists time in Californias Eastern Sierra, the works explore themes of germination, birth, growth, and decay. Crying
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