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Color is her primary visual language
and clusters of shapes as little paintings in themselves
and playfully responds to the characteristics of an architectural site or space and activates the viewer’s relationship to it
Pierre Muckensturm added printmaking to his oeuvre since 2010
He referred to this practice as “skying
Untitled 9 resin and pigment on canvas mounted on panel Color is her primary visualMarcy Rosenblat describes herself as having an affinity for process art, a method of art making in which predetermined systems and techniques largely determine the outcome of the work. Rosenblat is inspired by the idea of revelation and obfuscation. Each layer of paint is like a veil, through which viewers can see the inner workings of her craft.
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