Cut-Up Paper 2005 Guillaume Moschini The tension of overlapping foreground

The tension of overlapping foreground shapes and the contrary background treatment is accentuated by the high-key yellow color that pushes the composition forward toward the viewer

both visually and conceptually

a double meaning

His goal as a painter is not to solve the riddle as much as pose it as a unique perceptual challenge

A major theme in his oeuvre is the passage of time

Cut-Up Paper 2005 Guillaume Moschini The tension of overlapping foregroundPedersen works with acrylic paint. When painting a composition, she tends toward a limited color palette, often reducing the composition to minimal, hard edged shapes on solid colored fields. The harmonies and tensions in the work arise from different relationships: those between the colors, the patterns, and the geometric and organic shapes.