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Completely flat faces or tightly curved edges give my work strength and tension
highly valued in Korean culture for its soft hue and quality
pushing aside the tangle of leaves
It’s pottery’s everyman & it’s a form I continually return to making
with a light vegetable resin coating
Large Bowl kina-bjorkland Completely flat faces or tightlyThese pieces are wheel thrown in different combinations of dark and light stoneware, reclaimed from Abigail's shared studio. Glazed with a palette of dolomite and transparent glazes, these tactile mugs are made to be used. "I come to ceramics from a background in painting, so that the body and form of clay is another surface for making marks and cultivating textures. Unlike a painting, a pot has no front or back, but one can reach inside it, respond
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